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How do you feel about Rocksteady moving away from the Arkham series? Do you agree with their thinking that there isn't much left to explore, or hope to see them stay in the DC Comics universe for the future as well? Sound off in the comments.īatman: Arkham Knightwill be released in 2014 for the PC, PS4 and Xbox One.By performing all of the extra tasks in the game, you can unlock the secret ending which is also known as the complete project Knightfall ending. But only time will tell, and as Ginn points out, a successful finale with Arkham Knight will go a long way in determining their bargaining power. and DC Comics would keep that a very real possibility. Rumors of a Justice League video game have circled for years, and hopefully the working relationship between Rocksteady, Warner Bros. Having delivered two games that received impressive sales numbers as well as critical acclaim, one would hope that Ginn is correct in hoping the studio would earn the right to decide their next course of action. We will be able to control our own destiny in that respect." Our attitude is: if we deliver on Arkham Knight, smash it out of the park, the opportunities we’ll have in the future will be massive. "I’ve had a dream of us just shuttering the studio and walking away like rockstars, 'We’re done here!'. It’s such a critical part of the game, the epicenter of the design, but once we’ve done this, I don’t know we’re ever going to feel like we’ve missed out on a critical piece of what it feels like to be the Batman. That was kind of our driving force all along." "For us I think the Batmobile is that final thing. And according to Ginn, that itself seems like an accomplishment: With the Batmobile taking center stage in Arkham Knight's announcement trailer, and apparently adding a new dimension to the gameplay, it seems there is nothing left for the team to tackle. If the team's initial goal was to simulate the experience of actually being Batman, they have little left to prove.īatman's use of stealth, fear, and his obsessive mission to save Gotham City have all been adapted beautifully by the developers, but there was always one trademark of the Dark Knight left unexplored - until now. Sure, most of the series' plot centered on the caped crusader's life-long battle with the maniacal Joker, but that's generally the case with the comics as well. It's hard to argue that there are sides of the Batman character that haven't been explored in the Arkham series, either in the central campaign or lengthy side content. "We’ve done all we can do here… it’s kind of time for us to walk away from it." But it was something that we were really pushing for because we had a really clear vision for how this story should end, and the way we wanted it to end. "Anything we do is a collective decision between Rocksteady, Warner Brothers, and DC Comics. Rocksteady's Dax Ginn explained to IGN that while the decision to end the company's work on Arkham wasn't made lightly, the developers didn't see the need to go on: So why - or how - is the studio putting Arkham behind them? The notion of leaving a superhero/blockbuster property just as new costumes are introduced, brand new villains are created to raise the stakes, and beloved characters get larger roles is a strange one for both the world of video games and movies (where box office draw and name recognition reign supreme). Now the developers has offered some insight into their reasons for leaving the franchise so soon, and what the future could hold for the team moving forward. While the announcement was met with excitement from fans, it came with a bittersweet twist: Arkham Knight would not just be Rocksteady's next Arkham game, but their last as well. But unbelievably, the announcement of Batman: Arkham Knight promised to blow the previous entries out of the water set in a full-scale Gotham City, adding the Batmobile to the mix, and launching exclusively on next-gen systems. With Batman: Arkham Asylum and Arkham City hailed as not only the best superhero video games ever developed, but some of the best third-person action titles in years, Rocksteady Studios had silenced critics completely. In the Steam app, I located the VR Kanojo game, click on properties and the folder opens up. I go to the VR Kanojo website, download the patch that specifies it is the Steam 18+ patch, run the exe file and I get the abdata folder. When I'm paying almost paying double what I had to a couple years ago due to the shitty dollar, I take any saving I can get.I can not get the +18 patch to work on the Steam version. but if it's an all-ages only game or has a patch I'll save myself $2-$10 and buy it from Steam (more with sales of course). Yes I know buying directly from the publisher gives them a better share, but most of that difference in price just goes to the credit card companies anyway with their exchange rates that are nowhere near the real exchange rate and "currency conversion fee". Sure, if there is no patch available I'll buy directly from Mangagamer, JAST, etc. MiKandi Japan plans on making an official 18+ patch as DLC for the Steam version.Īs I said, the exchange rate is the only reason I prefer to buy from Steam. Really, the only VN that will be really worth buying on Steam is an upcoming one called Libra of the Vampire Princess which will come out in March 2017. You're better off buying the 18+ versions off distributor sites like Denpasoft and Mangagamer or importing the Japanese versions and using translation patches. VNs on Steam are hardly worth it because they're censored to meet their guidelines which can take away the full experience. Gals from Sukeban must be smirking hard right now. The sole fact it requires VR-hardware to operate is kind of disappointing I'm not that stupid yet to invest into something, which barely took off the ground and doesn't use even a tiny bit of it's currently available potential.Īt least, you could say the waifu age is finally upon us. It looks nice, it does, but considering this is primarily (who am I kidding) a sex game like most of their releases, it literally has no ground to survive on the market and should be considered more of an experiment, than a full-fledged product. You kind of have to agree it took them a while to upgrade into next-gen graphics and systems. Too bad they won't be able to translate that marketing triumph into sales. That said, the YouTube trailer is a smash hit. It's almost doomed to fail due to a low install base coupled with a niche product. However, this is a terrible product to test market demand for their games. That Illusion has finally taken an interest in the English market is great news. This is basically a demographic paradox: their primary audience won't have the hardware to play their game, and the few who DO have the hardware are unlikely to be interested. In a Venn diagram, the overlap between eroge fans and early VR adopters is probably minimal eroge fans tend to have less capable hardware than your typical gamer since the majority of eroge have very low system requirements. I doubt this title will do well in either Japan or overseas, at least while VR adoption is low. And only a very small subset of those would even be interested in a hentai game, much less one of Illusion's simple sex sims. Only extreme early adopters would be willing to pay the $600 or so for the headsets, much less the extra $300 or more for the necessary GPU/hardware upgrade. The VR-only platform requirement is going to extremely limit their audience for this particular title. The English is poor-they can't seem to construct actual sentences expressing a coherent thought-but it's not machine-translated at least. It looks like only the demo is being released on Steam. The English official site is instructive. He debuted in the group as a shy 15-year-old and grew into one of its funniest members. Covering all of his talents would require a master list too long to get into here - but they certainly include drawing, dancing and rapping. Roles: Main Vocalist, Lead Dancer, Sub-Rapper, Center, Maknaeįirst things first: Jungkook is good at everything. Nicknames: Kookie, Nochu, Bunny, Seagull, Golden Maknae (the youngest member) The deep-voiced crooner also recently made his acting debut in a drama called Hwarang. His photography skills sometimes find their way onto Twitter. V is practically synonymous with Gucci at this point because that’s his go-to designer brand. This mischievous idol is known for being so popular that it’s hard to keep track of his celebrity friends like actor Kim Min-jae, actress Ha Ji Won and actor Park Bo Gum. He’s also known for being supportive of his fellow group members - who else could be Suga’s personal cheerleader? He’s often labeled by fans as the most adorable member, but he can’t do aegyo (cutesy behavior). Not only is he adept at flashing his abs, but his specialty is contemporary dance. If you hear any stratospherically high notes in any BTS song, you can bet it’s Jimin. To get a better sense of his personal music style, listen to his mixtape, RM. As a soloist, he’s worked with a wide range of artists, including Krizz Kaliko, Wale and Fall Out Boy. He changed his stage name from Rap Monster to RM in November. He often ends up translating for his members during American interviews. He’s the only member who’s fluent in English, which he picked up by watching Friends. RM is renowned for his smarts - he reportedly has an IQ of 148. Nicknames: Sexy Brain, God of Destruction To get a better sense of his personal music style, listen to his mixtape, Hope World. Peep his series of dance practice videos, Hope on the Street. But he’s also the group’s dancing machine, as he’s got all the dance moves on lock. J-Hope’s stage name is fitting given that he regularly presents himself as ARMY’s “hope.” His infectious energy makes him one of the strongest mood-makers on the team. Roles: Main Dancer, Lead Rapper, Sub-Vocalist To get a better sense of his personal music style, listen to his mixtape, Agust D. Last month, he was even promoted to a full member of the Korea Music Copyright Association. His writing credits are scattered across the group’s discography. He loves playing basketball - he even included samples of basketball squeaks in “ Intro: The Most Beautiful Moment in Life.” He has a dry sense of humor, but he can often be found getting excitable when he hypes up J-Hope. Suga’s the chopper of BTS’ rap-line as his “tongue technology” makes speed rapping look easy. THE KARATE KID (1984): "After 37 years, The Karate Kid remains an enjoyable underdog story. Told at a deliberate but evocative pace, the movie involves the viewer and fires on all cylinders." Starring Henry Fonda, Charles Bronson. ONCE UPON A TIME IN THE WEST (1968): "Stylish and audacious, Once Upon a Time In the West turns into a fine cinematic experience. It mixes humor, action and emotion to create a pretty likable package." Starring Abbi Jacobson, Danny McBride. the Machines delivers an enjoyable animated romp. THE MACHINES (2021): "With a fun premise and a fast pace, The Mitchells vs. Unfortunately, I prefer movies that provoke greater enthusiasm than a general shrug, so I cannot offer much of an endorsement here." Starring Taylor Kitsch, Lynn Collins. Which it is, as the movie consistently offers a perfectly decent sci-fi adventure. JOHN CARTER (2012): " John Carter leaves me tempted to write a one word review: meh. However, much of the film fails to age well, so this becomes an erratic action experience." Starring Lieh Lo, Ping Wang. KING BOXER (AKA FIVE FINGERS OF DEATH) (1972): "As a pioneering efforts in the 1970s martial arts genre, King Boxer (AKA Five Fingers of Death) deserves respect, and its fight scenes continue to provide reasonable excitement. Make sure you go to our special Holiday page for viewing options! Here we enter the home stretch as we move toward Christmas. James Bond comes out of retirement to stop a madman who wants to unleash a biological weapon on the world. Night Porter, The: Criterion Collection ĭaniel Craig, Rami Malek. Red Shoes, The: Criterion Collection ĭolce Vita, La: Criterion Collection Review Archive: # | A-C | D-F | G-I | J-L | M-O | P-R | S-U | V-Z | Last 50 Reviews Enraged, the Warlord marshals all his gangs and pursues the rebels ruthlessly in the high-octane Road War that follows.DVD Movie Guide - | A Daily Guide to DVD Movie Releases & Reviews They are escaping a Citadel tyrannized by the Immortan Joe (Hugh Keays-Byrne), from whom something irreplaceable has been taken. Nevertheless, he becomes swept up with a group fleeing across the Wasteland in a War Rig driven by an elite Imperator, Furiosa (Charlize Theron). Haunted by his turbulent past, Mad Max (Tom Hardy) believes the best way to survive is to wander alone. Music superstar Tina Turner co-stars as Aunty Entity, a power-mad dominatrix determined to use Max to tighten her stranglehold on Bartertown, where fresh water, clean food and gasoline are worth more than gold. Mel Gibson returns for his third go-round as the title hero who takes on the barbarians of the post-nuclear future – and this time becomes the savior of a tribe of lost children. The sequel to Mad Max, Mad Max 2: The Road Warrior provides action-packed "automotive" entertainment, telling the story of a selfish-turned-selfless hero and his efforts to protect a small camp of desert survivors and defend an oil refinery under siege from a ferocious marauding horde that plunders the land for gasoline. But when he experiences an unfortunate encounter with a motorcycle gang and its menacing leader, the Toecutter, his retreat from the madness of the world is now a race to save his family's life. Living on the edge of an apocalypse, Max is ready to run far away from it all with his family. George Miller's first entry in the trilogy, Mad Max packs brutal action and insane stunts as it follows the inevitable downfall of relentless cop Max Rockatansky (Mel Gibson) in a world gone mad. Mad Max: Fury Road Two Film Collection Special Features and Additions:Īnd here are the official synopsises for the four films: From the Producers to the Bike Designers to the Traffic Stoppers, this is the story of how Mad Max was made. Interviews include: George Miller, Byron Kennedy, Mel Gibson, Hugh Keays-Byrne, Steve Bisley, Roger Ward, Joanne Samuel, David Eggby, Jon Dowding and many more. With over forty cast-and-crew interviews, hundreds of behind-the-scenes photographs and never-before-seen film footage of the shoot, this is, without a doubt, the last word on Mad Max (1979).
We've also extended the classic 8-bit PIC series with support for the 'Enhanced Mid-range' (PIC1XF1XXX) instructions. It supports PIC24/30/33 series and comes with an extensive configuration file.
Lorenz Attractor - click on image to "explore" it in WebGL Is also possible to travel, in first person (cockpit view), within the particles, following the evolution of the attractors. Now all dp/dt attractors (yellow tag) have an additional new emitter type to visualize them in a progressive way and/or with multiDot (spray) effect.\ Latest features from ver.1.5.3 TransformFeedback → multiDot particles emitter * any single object can be explored interactively via WebGL/WebAssembly directly from site. To view all "chaotic-objects" currently inserted in current release, follow the link: Attractors Formulas
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For those not in the know, Majora's Mask 3D sadly suffers from a slew of problems that weren't present in the original game on the N64. Nice article! I'd like to take this opportunity to mention that for anyone wanting to play Majora's Mask again (or for the first time), there's a 'restoration patch' for Majora's Mask 3D. From a company that habitually prizes mechanics and game-feel over story, the moments when Nintendo do explore narrative ideas and deeper questions seem all the more profound in a catalogue of work featuring a deluge of kidnapped princesses. The three-day cycle denies players the escapism of other games and forces self-reflection and management. Perhaps this is one reason why so many take umbrage with the time 'limit'. And, just as in the real world, time is our most precious commodity. Our power to affect the world is great but so are the demands on our resources. The shambling mummies of Ikana must be ignored today because I'm needed elsewhere. No, I don't have time to save the Gorons today, so their winter will not end. Majora's Mask can be a gloomy proposition with the enemy-filled map and the looming lunatic face in the sky. It's impossible to please everybody all of the time, but we empathise with the people of this world and their failures because we have witnessed their potential - their best selves - in another time. You spend the majority of the game learning life lessons. Our memories of the egotistical Ingo from Ocarina colour our impression of Gorman the Troupe Leader, and give him a more textured personality when we discover his real story and his anger at failing to succeed in show business. These doppelgangers exist as archetypes across dimensions satisfying touchstones for returning players to recognise, although familiarity with them enables the developers to subvert our expectations. Many characters are duplicates from Hyrule, here assigned new identities (or sometimes multiple identities, as with the Gormon Brothers or the Romani sisters). Here we get a different view of characters we thought we knew and an opportunity to empathise. Much of Termina's darkness and strangeness comes from seeing familiar characters in odd places, and often acting differently. His masks imply childlike make-believe and play, although their transformative effects on Young Link appear quite terrifying. The Happy Mask Salesman, too, walks a fine line between jovial and sinister - a mixture that sets the tone for the entire experience. The recycling from the series' previous entry extends to the inhabitants themselves, including the impish Skull Kid antagonist previously seen in Hyrule's Lost Woods and corrupted by the titular mask. Although it feels darker, the actual world is pieced together with similar earth tones to Hyrule, plus some luminous highlights in the dungeons. Visually, the kingdom of Termina is a mash-up of Ocarina of Time's locations, with the addition of snow and ocean regions. Simply put, it's the most interesting Zelda has ever been. In Termina you don't have the luxury of languorous hours hunting Gold Skulltulas or kicking back at the fishing hole waiting for the Hylian Loach to bite. If its downbeat, foreboding atmosphere doesn't put you off, the pressure of its three-day cycle-which effectively resets your progress in just under an hour of real-world time-proves stressful after the relative freedom and relaxation of Ocarina of Time's Hyrule. It's certainly not the most accessible or player-friendly Zelda, either. While we respect its Expansion Pak-enhanced visuals in the context of their day and we have a fondness for that era's aesthetic, Majora's Mask can't hold a candle to some of the other entries in the series, even with Grezzo's excellent work on the 3DS update. Exactly 20 years since its Japanese debut, the discernible polygons that make up the world and characters of Termina locate the game squarely in the fifth console generation. It is not the prettiest Legend of Zelda game. There are many things The Legend of Zelda: Majora's Mask is not. |
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